Wunika Mukan
A Hundred Thousand Years and a Single Hour | A Group Exhibition
A Hundred Thousand Years and a Single Hour | A Group Exhibition
A Hundred Thousand Years and a Single Hour | A Group Exhibition
Wunika Mukan Gallery is proud to present "A Hundred Thousand Years and a Single Hour," a group exhibition showcasing the works of three dynamic Nigerian women artists-Jadesola "Jay "Olaniyan, Seyi Akinwumi, and Naomi Momoh. Inspired by the timeless words of Rumi- "A hundred thousand years and a single hour are one. The beginning of eternity and the end of eternity arch into Union" —the exhibition reflects on the fluidity of time and its profound impact on how we understand ourselves and our connections to others. Through their distinct artistic practices, these three artists weave together personal histories, cultural narratives, and spiritual reflections to create a collective meditation on existence.
Wunika Mukan Gallery is proud to present "A Hundred Thousand Years and a Single Hour," a group exhibition showcasing the works of three dynamic Nigerian women artists-Jadesola "Jay "Olaniyan, Seyi Akinwumi, and Naomi Momoh. Inspired by the timeless words of Rumi- "A hundred thousand years and a single hour are one. The beginning of eternity and the end of eternity arch into Union" —the exhibition reflects on the fluidity of time and its profound impact on how we understand ourselves and our connections to others. Through their distinct artistic practices, these three artists weave together personal histories, cultural narratives, and spiritual reflections to create a collective meditation on existence.
Wunika Mukan Gallery is proud to present "A Hundred Thousand Years and a Single Hour," a group exhibition showcasing the works of three dynamic Nigerian women artists-Jadesola "Jay "Olaniyan, Seyi Akinwumi, and Naomi Momoh. Inspired by the timeless words of Rumi- "A hundred thousand years and a single hour are one. The beginning of eternity and the end of eternity arch into Union" —the exhibition reflects on the fluidity of time and its profound impact on how we understand ourselves and our connections to others. Through their distinct artistic practices, these three artists weave together personal histories, cultural narratives, and spiritual reflections to create a collective meditation on existence.
Wunika Mukan Gallery is proud to present "A Hundred Thousand Years and a Single Hour," a group exhibition showcasing the works of three dynamic Nigerian women artists-Jadesola "Jay "Olaniyan, Seyi Akinwumi, and Naomi Momoh. Inspired by the timeless words of Rumi- "A hundred thousand years and a single hour are one. The beginning of eternity and the end of eternity arch into Union" —the exhibition reflects on the fluidity of time and its profound impact on how we understand ourselves and our connections to others. Through their distinct artistic practices, these three artists weave together personal histories, cultural narratives, and spiritual reflections to create a collective meditation on existence.
A Hundred Thousand Years and a Single Hour | A Group Exhibition
A Hundred Thousand Years and a Single Hour | A Group Exhibition
This thought-provoking exhibition invites audiences to reflect on how memory shapes identity across time, highlighting the artists' shared ability to transcend temporal boundaries by transforming personal experiences into universal expressions. From Jay's exploration of tender moments in nature, to Seyi's layered visual language of introspection to Naomi's spiritual narratives rooted in mythologies-their works collectively remind us that time is both fleeting and eternal. Through their figurative practices these artists create a dialogue between the seen and unseen. They explore how our pasts echo within us while simultaneously shaping our present selves. The exhibition becomes an invitation for viewers to contemplate their own relationship with time: How do our memories define us? How do we reconcile fleeting moments with eternal truths?
This thought-provoking exhibition invites audiences to reflect on how memory shapes identity across time, highlighting the artists' shared ability to transcend temporal boundaries by transforming personal experiences into universal expressions. From Jay's exploration of tender moments in nature, to Seyi's layered visual language of introspection to Naomi's spiritual narratives rooted in mythologies-their works collectively remind us that time is both fleeting and eternal. Through their figurative practices these artists create a dialogue between the seen and unseen. They explore how our pasts echo within us while simultaneously shaping our present selves. The exhibition becomes an invitation for viewers to contemplate their own relationship with time: How do our memories define us? How do we reconcile fleeting moments with eternal truths?
This thought-provoking exhibition invites audiences to reflect on how memory shapes identity across time, highlighting the artists' shared ability to transcend temporal boundaries by transforming personal experiences into universal expressions. From Jay's exploration of tender moments in nature, to Seyi's layered visual language of introspection to Naomi's spiritual narratives rooted in mythologies-their works collectively remind us that time is both fleeting and eternal. Through their figurative practices these artists create a dialogue between the seen and unseen. They explore how our pasts echo within us while simultaneously shaping our present selves. The exhibition becomes an invitation for viewers to contemplate their own relationship with time: How do our memories define us? How do we reconcile fleeting moments with eternal truths?
Wunika Mukan Gallery, established in 2020, is a contemporary art gallery committed to promoting emerging artists from Nigeria, Sub-Saharan Africa, and the diaspora. The primary objective of the gallery is to provide a platform for these artists to showcase their works to both local and international audiences, thereby creating exciting opportunities for them to exhibit and critically engage with the wider art market.
Wunika Mukan Gallery, established in 2020, is a contemporary art gallery committed to promoting emerging artists from Nigeria, Sub-Saharan Africa, and the diaspora. The primary objective of the gallery is to provide a platform for these artists to showcase their works to both local and international audiences, thereby creating exciting opportunities for them to exhibit and critically engage with the wider art market.
Wunika Mukan Gallery, established in 2020, is a contemporary art gallery committed to promoting emerging artists from Nigeria, Sub-Saharan Africa, and the diaspora. The primary objective of the gallery is to provide a platform for these artists to showcase their works to both local and international audiences, thereby creating exciting opportunities for them to exhibit and critically engage with the wider art market.
Wunika Mukan Gallery, established in 2020, is a contemporary art gallery committed to promoting emerging artists from Nigeria, Sub-Saharan Africa, and the diaspora. The primary objective of the gallery is to provide a platform for these artists to showcase their works to both local and international audiences, thereby creating exciting opportunities for them to exhibit and critically engage with the wider art market.
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TR Institute
Material Memory | Anthony Azekwoh, Gbemileke Adekunle, & Saheed Adelakun
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Memory is not static. It is tactile, layered, and ever-shifting; etched into the surfaces of our lives through material, texture, and form. Material Memory brings together the works of Anthony Azekwoh, Gbemileke Adekunle, and Saheed Adelakun, three artists who engage deeply with the physicality of memory, using material as both a medium and a metaphor for personal and collective histories.
Memory is not static. It is tactile, layered, and ever-shifting; etched into the surfaces of our lives through material, texture, and form. Material Memory brings together the works of Anthony Azekwoh, Gbemileke Adekunle, and Saheed Adelakun, three artists who engage deeply with the physicality of memory, using material as both a medium and a metaphor for personal and collective histories.