What excites me most about Nigerian art today isn’t wishful thinking anymore; it’s a reality I can already see. New galleries are investing in emerging artists, research-driven projects, and revitalised histories, raising the standard of presentation and moving decisively away from mediocrity. I can imagine a future where Nigerian art is a destination in its own right, a scene so alive that missing it sparks real FOMO. Lagos Gallery Weekend is making that future tangible, building a bridge between information, access, and opportunity, and connecting art lovers, collectors, and artists in ways that have long been overdue.

Mr Waduud’s Route

I usually start my visits at Alliance Française, a cultural hub in the heart of Ikoyi, where exhibitions and events connect Nigerian creativity with global perspectives. From there, I move to SOTO Gallery, a serene and welcoming space where contemporary works and immersive conversations with emerging artists allow for a deeper, more reflective experience. I end at Nahous in the Federal Palace, a space brimming with art, fashion, and culture, where the exhibitions pulse with community and creative energy, perfectly capturing the spirit of Lagos. It’s a visit I never skip.